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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">klj</journal-id><journal-title-group><journal-title xml:lang="ru">Казанский лингвистический журнал</journal-title><trans-title-group xml:lang="en"><trans-title>Kazan linguistic journal</trans-title></trans-title-group></journal-title-group><issn pub-type="epub">3033-8751</issn><publisher><publisher-name>Казанский (Приволжский) федеральный университет</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26907/2658-3321.2024.7.4.447-457</article-id><article-id custom-type="elpub" pub-id-type="custom">klj-19</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ФИЛОЛОГИЯ. ЛИТЕРАТУРЫ НАРОДОВ МИРА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOLOGICAL STUDIES. LITERATURE OF THE PEOPLES OF THE WORLD</subject></subj-group></article-categories><title-group><article-title>Постколониальная британская проза: роман А. Гурны «Уход».</article-title><trans-title-group xml:lang="en"><trans-title>Postcolonial British prose: A. Gurnah’s novel “Desertion”.</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-9385-7684</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Юзмухаметова</surname><given-names>Л. Н.</given-names></name><name name-style="western" xml:lang="en"><surname>Yuzmukhametova</surname><given-names>L. N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Юзмухаметова Ландыш Нургаяновна – Доцент</p></bio><bio xml:lang="en"><p>Yuzmukhametova Landysh Nurgayanovna – Associate Professor</p></bio><email xlink:type="simple">land_yz@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Казанский (Приволжский) федеральный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Kazan Federal University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>09</day><month>12</month><year>2025</year></pub-date><volume>7</volume><issue>4</issue><fpage>447</fpage><lpage>457</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Юзмухаметова Л.Н., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Юзмухаметова Л.Н.</copyright-holder><copyright-holder xml:lang="en">Yuzmukhametova L.N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.kljournal.ru/jour/article/view/19">https://www.kljournal.ru/jour/article/view/19</self-uri><abstract><p>Статья посвящена творчеству Нобелевского лауреата по литературе – британского постколониального писателя с танзанийскими корнями А. Гурны. Цель работы – анализ его романа «Уход» (не переведенный на русский язык) в контексте постколониального дискурса, при этом внимание будет сосредоточено на проблемно-тематической его стороне. Как известно, в 1970-80 годы в результате распада колониального мира и влияния постструктуралистской философии возникает постколониальная теория. Сегодня в мире данная теория является одной из ведущих в изучении современной литературы. Методами анализа текста А. Гурны нами выбраны культурно-исторический, психоаналитический и структурный. Расизм, права женщин, проблемы образования на африканском континенте, эмиграция становятся ключевыми смыслообразующими темами анализируемого романа. Эти проблемы переплетаются с темами духовного поиска, любви между мужчиной и женщиной, добра и зла, которые осмысливаются с точки зрения общечеловеческих ценностей. В тексте есть осмысление таких морально-этических категорий, как стыд и вина, грань между запретным и дозволенным. Обращаясь к тематическому разнообразию, автор исследует такие феномены как травма и пути ее преодоления через проговаривание или молчание. Произведение характеризуется многоголосьем, сложной фокализацией.</p></abstract><trans-abstract xml:lang="en"><p>The article is devoted to the work of the Nobel laureate in literature – the British post-colonial writer with Tanzanian roots A. Gurnah. The purpose of the work is to analyze his   novel "Desertion" (untranslated into Russian) in the context of postcolonial discourse, paying special attention to the poetics of the text. It is known, in 1970-80s, as a result of the collapse of the colonial world and the influence of post-structuralist philosophy, a post-colonial theory arises. Today in the world this theory is one of the leading in the study of modern literature. We have chosen cultural-historical, psychoanalytic and structural methods for analyzing the text of A. Gurnah. Racism, women's rights, education problems on the African continent, emigration become key meaning-forming topics of the analyzed novel. These problems are intertwined with the theme of spiritual search, love between a man and a woman, good and evil, universal values are put in the center of the corner. The text contains an understanding of such moral and ethical categories as shame and guilt, the line between the forbidden and the permissible. Addressing thematic diversity, the author explores phenomena such as trauma and ways to overcome it through pronunciation or silence. The work is characterized by many voices, complex focalization.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>А. Гурна</kwd><kwd>постколониальный британский роман</kwd><kwd>травма</kwd><kwd>фокализация</kwd><kwd>эмиграция</kwd><kwd>расизм</kwd><kwd>права женщин</kwd></kwd-group><kwd-group xml:lang="en"><kwd>A. Gurnah</kwd><kwd>postcolonial British novel</kwd><kwd>trauma</kwd><kwd>focalization</kwd><kwd>emigration</kwd><kwd>racism</kwd><kwd>women’s rights</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Шустова Э.В. Читательские отклики на произведения Дж. Р. Р. Толкина в России на рубеже XX–XXI вв.: опыт анализа с позиции рецептивной эстетики. Казанский лингвистический журнал. 2022;5(4):487–497. https://doi.org/10.26907/2658-3321.2022.5.4.487-497</mixed-citation><mixed-citation xml:lang="en">Shustova E.V. Readers’ Responses to the Works of J.R.R. Tolkien in Russia at the Turn of XX–XXI Centuries through a Perspective of Aesthetics of Reception. Kazan Linguistic Journal. 2022;5(4):487–497. 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